Explore "Resynator," a 2024 documentary by Alison Tavel, uncovering the story of a groundbreaking synthesizer and its impact on music legends like Peter Gabriel.

 "Resynator," directed by Alison Tavel, is a 2024 documentary that delves into the intriguing history of a pioneering synthesizer from the 1970s. The film explores the instrument's creation, its influence on renowned musicians, and the personal journey of Tavel as she uncovers her father's legacy.

The Genesis of the Resynator Synthesizer

Innovative Beginnings

In the early 1970s, inventor Donald Tavel developed a synthesizer prototype that would later be known as the Resynator. This innovative instrument was designed to offer musicians unprecedented control over sound modulation, paving the way for new musical expressions.

Musical Impact

The Resynator caught the attention of several prominent musicians, including Peter Gabriel and Butch Vig, who incorporated its unique capabilities into their work. Its distinctive sound became a hallmark in various genres, influencing the music of the era.

Alison Tavel's Discovery and Documentary Journey

Unearthing the Prototype

Decades later, Alison Tavel, Donald's daughter, discovered her father's unfinished Resynator prototype in her grandmother's attic. This discovery ignited a personal quest to understand her father's invention and its impact on the music industry.

Documentary Production

Tavel embarked on creating a documentary to chronicle the Resynator's story. The film features interviews with musicians who used the synthesizer, including Peter Gabriel, Fred Armisen, Grace Potter, and Jon Anderson. It also explores the personal narrative of Tavel's relationship with her father and the legacy of his invention.

Critical Reception and Film Festival Showings

Film Festival Premieres

"Resynator" premiered at the South by Southwest (SXSW) Festival in March 2024, receiving positive feedback for its engaging storytelling and insightful exploration of music history. The film has since been showcased at various film festivals, including the Whistler Film Festival and the Seattle International Film Festival (SIFF).

Critical Acclaim

Critics have praised "Resynator" for its compelling narrative and the depth of its exploration into the music industry's evolution. Roger Ebert's website highlighted the film's ability to intertwine personal history with broader musical themes, offering viewers a nuanced perspective on the Resynator's influence.

Conclusion

"Resynator" offers a captivating look into the legacy of a synthesizer that left an indelible mark on the music world. Through Alison Tavel's personal journey and the insights of influential musicians, the documentary sheds light on the enduring impact of innovation in music technology.

Alt Tags for Images

• Alison Tavel examining the Resynator synthesizer prototype.
• Peter Gabriel playing the Resynator during a recording session.
• Vintage photograph of Donald Tavel working on the Resynator.
• Grace Potter discussing the Resynator's influence in an interview.
• Jon Anderson reflecting on the Resynator's role in music evolution.

The Oasis reunion tour is quickly gaining momentum, and there’s fresh excitement for fans in Asia. On November 19, the band’s official Instagram account shared images of billboards in Tokyo, Japan, and Seoul, South Korea, teasing a major announcement on Friday, November 22. The black-and-white images of brothers Liam and Noel Gallagher have become iconic, resembling the campaign used for the band’s recently announced shows in other regions. The announcement could signal Oasis’ return to the stage in Asia for the first time since their 2009 concerts in Japan and South Korea.

The Oasis Live ‘25 tour, which is already set to run through 2025, has been a global affair. With 38 shows booked so far, the tour will kick off on July 4, 2024, at Principality Stadium in Cardiff, Wales. After the European leg, the band will head to North America, South America, and Australia, culminating with a grand finale in Brazil on November 22-23, 2025. Dates for the Asia shows are expected to align with the band’s Australian performances later in 2025.

Though Oasis has not released new material since 2008’s Dig Out Your Soul, the prospect of new music has been hinted at. Liam Gallagher responded to a fan’s question about a new record by claiming it was already finished, though he later retracted that statement, calling it a joke. While Oasis fans eagerly await official news of new music, the focus for now is on the upcoming reunion tour, with all the announced shows selling out quickly.

The band’s live performances are expected to be special events. The tour will feature Richard Ashcroft of The Verve as an opener for the U.K. and Ireland shows, while Cage the Elephant will join as the supporting act for North America. Special guests for other regions are still to be revealed. Given Oasis' legacy and the charged energy of the Gallagher brothers, fans across the globe are eagerly awaiting what is shaping up to be one of the most highly anticipated tours of the decade.

Keke Palmer knows how to captivate an audience, whether on the silver screen, the stage, or during a casual sit-down on late-night TV. On her recent appearance on The Tonight Show Starring Jimmy Fallon (Nov. 19), the Nope star opened up about her unforgettable moment at this year’s Met Gala—one that involved none other than rap queen Nicki Minaj.

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A Met Gala Encounter with Nicki Minaj

Palmer shared a hilarious and slightly nerve-wracking story about being singled out by Minaj on the red carpet. Minaj, mid-conversation with another group of celebrities, reportedly turned to Palmer and demanded her attention in her signature assertive style. Mimicking Minaj's New York-via-Trinidadian accent with uncanny precision, Palmer said, “Uh-uh, you, I need to talk to you, hold on.”

For a moment, Palmer thought she was in trouble. "I done did something! Nicki about to cuss me out at the Met Gala," she recalled, wide-eyed and laughing. The two had a casual acquaintance, having worked together on a project for famed photographer and director David LaChapelle, but this unexpected moment left Palmer unsure of what was coming.

Instead of criticism, Minaj offered sage advice that left Palmer both stunned and inspired. “Nobody knows what it’s like when we turn off the lights and we gotta be with ourselves. So you do whatever you need to do to be good with you,” Minaj told her.

Relieved and touched, Palmer responded, “YEAH! Thank you for this speech! I was not expecting this.”

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Juggling Careers, Motherhood, and Memoirs

Palmer’s red carpet anecdote was just one highlight of her lively interview with Fallon. The Emmy-winning actress also discussed her new memoir, Master of Me, which empowers readers with candid reflections on self-discovery and resilience. The book solidifies Palmer’s reputation as a multi-talented artist who isn't afraid to share her journey, challenges, and triumphs.

Palmer also spoke about her heartfelt tribute to Usher at the BET Awards, a performance that showcased her vocal talents and her deep admiration for the R&B icon. The two stars made waves earlier this year when they teamed up for Usher’s music video for Boyfriend, creating buzz across social media.

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Big Screen Comedy and Adorable Toddler Moments

As if her plate wasn’t already full, Palmer teased her upcoming comedy project, One of Them Days, in which she stars alongside SZA. Fans are eagerly anticipating the pairing of these two powerhouse talents, and Palmer’s excitement about the film was palpable.

On the personal front, Palmer couldn’t help but gush about her son, Leo. Sharing a home video of the toddler singing along to a Broadway-style theme song she wrote for him, Palmer delighted the audience with her impromptu rendition:
“Leo, that’s my name/ Leo, that’s my name/ Leo, I’m the guy you know.”

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Keke Palmer: A Force of Nature

From her Met Gala encounter with Nicki Minaj to balancing her career, motherhood, and her latest creative endeavors, Keke Palmer continues to prove she’s a dynamic force in the entertainment industry. Whether she’s performing on stage, writing empowering memoirs, or penning catchy tunes for her son, Palmer exudes the kind of charisma and talent that keeps audiences coming back for more.

The Broadway musical Tammy Faye, centered on the life of televangelist and singer Tammy Faye Bakker, is closing its curtains earlier than anticipated. Despite its highly anticipated debut and a star-studded creative team, the show is set to end its run on December 8, just weeks after opening on November 14.

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A Short-Lived Broadway Journey

The $22 million production, featuring music by Elton John and lyrics by Jake Shears of Scissor Sisters, alongside a book by James Graham, struggled to find footing in New York despite a well-received premiere in London in 2022. Broadway audiences did not embrace the show, with the New York Times reporting dismal box office results.

Playing at the expansive Palace Theater, the musical faced challenges including poor reviews and lackluster ticket sales, with houses reportedly 37% empty during its final week. The production marks one of Broadway's lowest-grossing performances in recent history.

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Critical Reception and Audience Response

While the London debut garnered decent reviews, New York critics were less kind. The New York Times described the musical as a "bland, tonal mishmash" and a "disjointed" retelling of Tammy Faye's life. Despite these critiques, some prominent figures offered praise. Former R.E.M. frontman Michael Stipe attended opening night and shared on Instagram that the show was a “tour de force” and a “beautifully moving and soulful telling of the Tammy Faye Bakker story.”

Fans of Tammy Faye Bakker, known for her vibrant personality, bold makeup, and controversial life as a televangelist, may have been disappointed that the musical failed to capture her larger-than-life story in a way that resonated with broader audiences.

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Reflections from the Creative Team

Amidst the show's struggles, the cast and crew received heartfelt tributes from its creators. Jake Shears posted on Instagram, expressing gratitude and pride:

“What a ride these last 12 years (and 12 weeks) have been. Getting Tammy Faye up on Broadway has been one of the most thrilling experiences of my life… I’m immensely proud of our work. I believe that musical theatre is one of the most archaic forms of art: complicated and managerially elaborate.”

Elton John, who has contributed music to Broadway hits like The Lion King and Billy Elliot: the Musical, also praised the team’s efforts, calling it an “honour to collaborate with you all.”

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Elton John's Broadway Legacy

While Tammy Faye faced a rocky Broadway journey, Elton John is no stranger to success on the Great White Way. His past contributions include:

• The Lion King (1997): A modern Broadway staple.
• Billy Elliot: The Musical (2005): Won Tony and Grammy Awards.
• Aida (2000): Acclaimed for its compelling music.
• The Devil Wears Prada (2022): A more recent addition.
• Lestat (2006): A brief run similar to Tammy Faye, closing after 33 previews and 39 performances.

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Conclusion

The closure of Tammy Faye after just 24 previews and 29 performances underscores the challenges of bringing new and experimental works to Broadway, even with celebrated creatives behind them. While its run was short, the musical adds to the ongoing dialogue about the evolution of musical theater and the enduring appeal of iconic figures like Tammy Faye Bakker.

Despite its difficulties, Tammy Faye remains a testament to the risks and rewards of tackling ambitious and unconventional stories on Broadway.

Morrissey, the enigmatic former frontman of The Smiths, has voiced frustrations over his lack of recent musical releases, attributing the situation not to creative stagnation but to what he describes as a suppression of "free speech." During a 20-song set in Newark, New Jersey, on November 13, Morrissey shared his grievances with the audience, claiming that his outspoken nature has led to a blacklisting by the music industry.

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Morrissey’s Claims on Free Speech

The singer pointed to a perceived erosion of free expression in his home country of England as a major issue. He remarked:

“You cannot speak freely in England. If you don’t believe me, go there. Express an opinion, you’ll be sent to prison. It’s very, very difficult.”

His comments seem to reflect the backlash he has faced in recent years, particularly following his controversial alignment with the far-right For Britain political party. Morrissey suggested that his vocal advocacy for free speech has played a significant role in the reluctance of labels to release his music.

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The Fate of Morrissey’s Albums

Morrissey has not released a studio album since 2020’s I Am Not a Dog on a Chain, but he claims that the delay in new releases is due to industry roadblocks rather than a lack of material:

1. Bonfire of Teenagers:

   • The album, reportedly completed in mid-2021, was initially slated for a February 2023 release.
   • It featured collaborations with Miley Cyrus, Iggy Pop, and members of the Red Hot Chili Peppers, with Andrew Watt as producer.
   • However, Capitol Records postponed its release, and Morrissey accused the label of potentially sabotaging the project.
   • Miley Cyrus also requested her vocals be removed from the record, adding to the album’s complications.

2. Without Music the World Dies:

   • Morrissey claims to have completed another album following Bonfire of Teenagers.
   • Despite offering the project to record labels and private investors, it remains unreleased, leaving the fate of both albums uncertain.

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Morrissey’s Perspective on the Industry

Morrissey has been vocal about his dissatisfaction with Universal Music Group and Capitol Records. In a statement, he suggested that his diverse musical style might have contributed to his struggles with industry support:

“Although he does not believe that Capitol Records in Los Angeles signed Bonfire of Teenagers in order to sabotage it, he is quickly coming around to that belief.”

These remarks echo a broader narrative from the artist, who has frequently lamented being misunderstood or sidelined due to his controversial opinions and unwillingness to conform.

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Fan Reactions and Industry Implications

Morrissey’s fans remain divided over his remarks. While some sympathize with his claims of industry suppression and celebrate his artistry, others question whether his outspoken political views have alienated him from potential collaborators and labels.

The ongoing saga surrounding Bonfire of Teenagers and Without Music the World Dies highlights the complexities of Morrissey’s career in recent years. With his extensive legacy in music, many hope that his unreleased works will eventually see the light of day. For now, Morrissey continues to perform live and voice his perspective, keeping his artistry and controversies in the public eye.

Soul legend Al Green has turned his attention to college rock favorites R.E.M., sharing a cover of the Georgia outfit’s 1993 single, “Everybody Hurts”. Released on Tuesday (Nov. 19), Green’s cover of the song sees the veteran singer reimagining the original in his trademark soul style, backing his delivery of the hopeful lyrics with a full band, including strings and backing vocalists. “Recording ‘Everybody Hurts,’ I could really feel the heaviness of the song and I wanted to inject a little touch of hope and light into it,” Green wrote on social media. “There’s always a presence of light that can break through those times of darkness.” Originally released on the 1992 album Automatic for the People, “Everybody Hurts” was issued as the record’s second single, becoming its most successful. While the album itself peaked at No. 2 on the Billboard 200, “Everybody Hurts” reached No. 29 on the Hot 100, and peaked at No. 13 on the Pop Airplay charts. It’s since been utilized by a number of charitable organizations, including the Samaritans in the U.K., and the Helping Haiti fund and the Disasters Emergency Committee, who organized a cover version to aid in support of the devastation from the 2010 Haiti earthquake. The cover featured contributions from the likes of Mariah Carey, Miley Cyrus, Rod Stewart, Jon Bon Jovi, Kylie Minogue, and many others, eventually peaking at No. 21 on the Bubbling Under Hot 100 Singles chart. In February 2019, the song became embroiled in slight controversy when President Donald Trump shared clips from his State of the Union address cued to the track over a montage of congressional democrats looking dejected. R.E.M. later protested his usage of the song, evoking the title of their 1988 track “World Leader Pretend” in their response, and ultimately convincing Twitter to take down Trump’s original clip. The cover of “Everybody Hurts” is Green’s first single to be released since last year’s cover of Lou Reed’s “Perfect Day”, which in turn followed his first new music in a decade with 2018’s cover of Freddy Fender’s “Before the Next Teardrop Falls”. Green’s last studio album, Lay It Down, was released in 2008 and peaked at No. 9 on the Billboard 200.

Al Green has once again captivated audiences by offering a heartfelt reinterpretation of R.E.M.'s iconic 1993 track, "Everybody Hurts"

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Green’s Soulful Interpretation

Al Green's take on "Everybody Hurts" reinvents the alternative rock classic with a full band arrangement, featuring strings and backing vocalists that amplify the emotional resonance of the song. In a statement shared on social media, Green expressed his connection to the track:

“Recording ‘Everybody Hurts,’ I could really feel the heaviness of the song and I wanted to inject a little touch of hope and light into it. There’s always a presence of light that can break through those times of darkness.”

This approach aligns perfectly with Green’s illustrious career, where his soulful delivery has often served as a beacon of warmth and encouragement for listeners.

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A History of “Everybody Hurts”

The song originally appeared on R.E.M.’s 1992 album Automatic for the People and became a standout hit. Upon its release as a single in 1993, it resonated with audiences worldwide, earning acclaim for its compassionate message and charting success:

• Billboard Hot 100: Peaked at No. 29
• Pop Airplay Chart: Reached No. 13

Beyond its chart performance, "Everybody Hurts" has taken on a life of its own, frequently used in charitable campaigns. Notable examples include:

• Samaritans (UK): Promoted its use to raise awareness for mental health.
• Helping Haiti Fund (2010): A star-studded cover featuring artists like Mariah Carey, Miley Cyrus, and Jon Bon Jovi supported relief efforts for the Haiti earthquake, later charting on the Bubbling Under Hot 100 at No. 21.

However, the song hasn’t been without controversy. In 2019, former President Donald Trump used the track in a montage during his State of the Union address, prompting R.E.M. to publicly denounce the unauthorized usage and successfully have the clip removed from Twitter.

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Al Green’s Recent Musical Endeavors

Green’s cover of "Everybody Hurts" continues his recent trend of reimagining beloved classics:

• 2022: Covered Lou Reed’s "Perfect Day".
• 2018: Released a rendition of Freddy Fender’s "Before the Next Teardrop Falls"—his first new music in a decade.

Green’s last studio album, Lay It Down (2008), remains a high point in his career, peaking at No. 9 on the Billboard 200 and solidifying his legacy as one of soul’s enduring icons.

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Fan and Critical Reception

The release has sparked excitement among fans and critics alike, many praising Green for his ability to breathe new life into a modern classic. His soulful interpretation of "Everybody Hurts" is a testament to the song’s universal appeal, as well as Green’s unparalleled ability to connect with audiences on a deeply emotional level.

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Conclusion

Al Green’s rendition of R.E.M.’s "Everybody Hurts" serves as both a tribute to the original and a soulful reimagining that underscores the timelessness of its message. With this cover, Green continues to bridge the gap between genres and generations, proving that his artistry remains as vibrant as ever.

 Morrissey, the enigmatic former frontman of The Smiths, has voiced frustrations over his lack of recent musical releases, attributing the situation not to creative stagnation but to what he describes as a suppression of "free speech." During a 20-song set in Newark, New Jersey, on November 13, Morrissey shared his grievances with the audience, claiming that his outspoken nature has led to a blacklisting by the music industry.

---

Morrissey’s Claims on Free Speech

The singer pointed to a perceived erosion of free expression in his home country of England as a major issue. He remarked:

“You cannot speak freely in England. If you don’t believe me, go there. Express an opinion, you’ll be sent to prison. It’s very, very difficult.”

His comments seem to reflect the backlash he has faced in recent years, particularly following his controversial alignment with the far-right For Britain political party. Morrissey suggested that his vocal advocacy for free speech has played a significant role in the reluctance of labels to release his music.

---

The Fate of Morrissey’s Albums

Morrissey has not released a studio album since 2020’s I Am Not a Dog on a Chain, but he claims that the delay in new releases is due to industry roadblocks rather than a lack of material:

1. Bonfire of Teenagers:

   • The album, reportedly completed in mid-2021, was initially slated for a February 2023 release.
   • It featured collaborations with Miley Cyrus, Iggy Pop, and members of the Red Hot Chili Peppers, with Andrew Watt as producer.
   • However, Capitol Records postponed its release, and Morrissey accused the label of potentially sabotaging the project.
   • Miley Cyrus also requested her vocals be removed from the record, adding to the album’s complications.

2. Without Music the World Dies:

   • Morrissey claims to have completed another album following Bonfire of Teenagers.
   • Despite offering the project to record labels and private investors, it remains unreleased, leaving the fate of both albums uncertain.

---

Morrissey’s Perspective on the Industry

Morrissey has been vocal about his dissatisfaction with Universal Music Group and Capitol Records. In a statement, he suggested that his diverse musical style might have contributed to his struggles with industry support:

“Although he does not believe that Capitol Records in Los Angeles signed Bonfire of Teenagers in order to sabotage it, he is quickly coming around to that belief.”

These remarks echo a broader narrative from the artist, who has frequently lamented being misunderstood or sidelined due to his controversial opinions and unwillingness to conform.

---

Fan Reactions and Industry Implications

Morrissey’s fans remain divided over his remarks. While some sympathize with his claims of industry suppression and celebrate his artistry, others question whether his outspoken political views have alienated him from potential collaborators and labels.

The ongoing saga surrounding Bonfire of Teenagers and Without Music the World Dies highlights the complexities of Morrissey’s career in recent years. With his extensive legacy in music, many hope that his unreleased works will eventually see the light of day. For now, Morrissey continues to perform live and voice his perspective, keeping his artistry and controversies in the public eye.